top of page
  • Carolin Rechberg
  • Aug 12, 2014

I am attracted to spills and stains, marks left by the traces of the experienced environment. in texture, color, light and composition with acrylics, oils, tempera or aquarelle revealing what I see in the aged canvas or paper.

I have exposed to.

My work is cyclical the ground forms the next piece, dancing with gesture, splashing paint evolves prancing with paint, pushing the found shapes with contrast, shape and depth. the image evolves through instinct and what i see on the materials surface, in decay, having been dragged, washed, drained, draped. The work as the art.

They are like plants watered and nourished

Growing peddals in composition structure and shape

Informing through the process my experiences and encounters and the aesthetic my reflection projected through dimension

The pieces speak to life encounter through the moods and dance of emotion one through lives in the creation. and to

Created like music with its theme, color, tone, shape, rhythm and harmony.

Like particles in nature forming to compose a whole

Like environments

Conducted by music and art the character and cultur

In the community

I like to let the process guide me

And discover the piece while creating

Applying the schooled while schooling

The tensions between bright and dark loose and tight

It is about texture contrast

The choice of gesture

Am the weight

The light or the transparency

  • Carolin Rechberg
  • Apr 25, 2014

My art speaks towards mobility adaptability flexibility

The ability to drape itself and embrace itself and the viewer in any environment

Uplifted but independent of light and structure

Not only reuse of found materials but also reusing the materials once found

Therefore the installations and works adapting to the previously experienced and further experiencing conditions

It is about the travel a piece experiences and the process it goes through prior, through and past my interaction

Alone packing my car or the cart is a puzzle

A composition taking materiality, and weight into account.

  • Carolin Rechberg
  • Feb 14, 2014

The greatest importance the purpose found in the embrace of self through attaining ability of overseeing the senses with which one is feeling

The owning of ones given existence to create an ephemeral essence radiating the ability of natures natural bounty

But utilizing the understanding of the axioms composing the mysticism of sustaining enveloping nautilus cycles in infinital dimension

The most important, the use of the gift for the self reflection in embodiment not entrapment in the spectrum of conscience and critical thought

Therefore in the enactment of fruitful actualization rather then in damnation through determination to escape in exploitation through lack of exploration in avocation

bottom of page