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the sound is of the installation in its making


..once i install it in the space in this case

usual the whole process but due to technical difficulties i have to sometimes render the process

which is key in the creation of my work

the impact of the environment the broadening of the horizon of opportunities and segways resulting in the evolution of materials found to compose the assemblage directed at the core of the process of creation

'



it is a circle evolving onto itself in continuum


you don't see my work before it all comes together at an event of assemblage


a moment where the results of the process and gatherings are in a moment of stillness before they are torn from the eye of the storm into the cycle of creation again



i work in number of the fibonacci series

or in irrational numbers


acrobaric

trust belongs to the interaction

the physicality of it



the need to surrender to the process

not being able to force certain transitions

falling into place with materiality, resources found over time and processing the potential console;llation



my process teaches me about patience


it necessitates me to redirect and adapt due to time constraints


attracted to the mobility of art my canvases are unstrectched my papers clipped to string,

foldable f=creations


everyone and everything i experience is emphasized in its presence through the documentation of through writing , receipts.


the interplay between intimacy and distance

the longing to see if in unreachable height


in installation always viewed in transition…

only in a state of completion for the moment of the presentation


the roughness of the work ..unfinished for the opening of the continuing..some pages half blank in order to allow the repurposing later…


initially a gathering of textures and undergrounds to be used for texrule design, environment installations, writings, drawing books etc




feminine


the office clips are starring to talk with each other


humor



peace and tranquility found in the meditation of the repetitive motion


satisfaction deriving from an increasing fluidity



i am discovering textures, shape, form, line in the gathering of the splatter, the mark, the written word



often its more about purpose and function then beauty..in the sculptural and installation aspect..in order toad context aesthetics …repositioned

  • Carolin Rechberg
  • Aug 20, 2013

You paint with your being. Existence is the palate of texture, color and composition. Emphasis is in the gesture. The awareness to the choice you make. The sentiments you choose to let guide you. The attitude with which you take action and perceive. Sensitivity to sensuousness, defining where you place attention. - Ideally you stop reading right now, and come back to me. Breathing, taking time to receive your own impression. Letting it close. Gazing where curiosity draws you. Letting presence speak to you. Allowing your senses to feel. - I recognize that all sediments of our past are present in our present's currents. Created from the consciousness of nature and our ancestors,nourishing existence through my own. Finding reassurance in direction through the aesthetic trail of knowledge connecting me to all.

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