Art as a Way

Using art as a way to study and understand material.

As a result one perceives and grasp the structures and systems at work surrounding the individual and the community more transparently.

One sees what is at work and what the gesture impacts. Therefore reflection on choice of action is emphasised and results in a more consciously interweaving network of reactions and results as a whole.

Furthering efficiency, quality of life and products, longevity, sustainability of products, which is opposed to planned obsolescence, profit even if destroying unrenewable resources and polluting remaining renewable and unrenewable, due to capitalistic structures demanding hierarchical dependence. rather then an equilibrium where the values are in the sustaining of nature,health and wealth of resources, shared equally among believes and nations. The seeking of knowledge not the destruction of, the merit holding everyone together. To do good. To choose actions in the moment which are in accordance with the truth connecting all matter, constructing a woven carpet nautically feeding and elevating each other and the infrastructure of the infrastructure created in given geography by civilisation.

Live Art

With the intended gesture and mark in art making I want to advocate that the same attention be given to decisions and actions made in daily life.

Through the placement of marks, the layers, the colour line and tone created, is like your canvas, where the atmosphere, the place, the people, most important the nature and infrastructure, the palette which you choose and interact with around you.

Composing Monuments for the Stage of Performance

Installation, Performance

dimensions site-specific

cane, canvas, chain, cotton, cement, drywall-patch, mesh, plaster, pvc piping, silk, sinew, sound, house and acrylic paint

With interdisciplinary mediums I accent space to create a greater appreciation of it.

The process is the exploration of concepts of composition, color, line, shape, scale, surface and textures, in different mediums to explore an aesthetic in which the spectator becomes participant. The discovery of materiality provokes exploration and trust in the treasures and experience found in the process and life.

The installation is composed of found and new resources of art and infrastructure.

The material is suspended for the viewer to navigate through and to have an immersive and dynamic experience, triggering somatic and haptic sensibilities, through the interaction with matter, light, space and time. It creates a dimensional environment which addresses ephemerality and sustainability through the medium , the site-specific nature and resources.